Société Réaliste CV
2004-ben alapította Gróf Ferenc (1972, Pécs) és Jean-Baptiste Naudy (1982, Párizs).
Párizsban élnek és dolgoznak.
Önálló kiállítások (2005-10, válogatás)
2010
Xenolalia, kisterem, Budapest.
The Fountainhead and other artworks, Platform3, Munich.
Cosmopolites de tous les pays encore un effort, public monument at the MGLC/ Aksioma, Ljubljana.
The Fountainhead and other artworks, Skuc Gallery, Ljubljana.
2009
Transitioners: London View, uqbar, Berlin.
Transitioners: London View, Hold & Freight, London.
Pligatures, Galerie Martine Aboucaya, Paris.
Over the counter, Galerie Buy-Sellf Art Club, Marseille.
2008
Transitioners: Le Producteur, your-space / Van Abbemuseum, Eindhoven.
MA: Culture States - Exposition des Arts et Techniques appliqués à la vie moderne, Labor Gallery, Budapest.
2007
Transitioners: Le Producteur, La Synagogue de Delme, France.
Transitioners, Galerie Martine Aboucaya, Paris.
Transitioners, Ze Dos Bois, Lisbon.
Transitioners, Kunstpavillon, Innsbruck.
MA: Deuxième contact, Bureau d’hypothèses Journiac, Paris.
2006
Transitioners, TRAFO Gallery, Budapest.
2005
IGM #3: APPENDIX, Espace En Cours, Paris.
IGM #2: DISTAL, Usine des Taillandiers, Paris.
IGM #1: MDCCLXX IX, Karton Gallery, Budapest.
Kiállítások (2006-10, válogatás)
2010
Hyper Real, MUMOK, Vienna.
Flagpole, Platforme, Paris?
Transient Spaces - The Tourist Syndrom, NGBK & Kunstraum Kreuzberg, Berlin.
Pre-specifics: Access X!, Onomatopee & Röda Sten Kulturförening, Göteborg/Eindhoven.
The Artists Wakes, Bury Art Gallery, Bury.
Cooperation, not corporations, ITS, Belgrade.
Hostipitality: Receiving Strangers, Muzeum Sztuki, Lodz.
Chisinau-Art, Research in the Public Sphere, Chisinau.
Politique Zéro, Espace Niemayer, Paris.
Wealth of Nations, Spike Island, Bristol.
All-over, Galerie Martine Aboucaya, Paris.
Practicing Memory, Fondazione Pistoletto, Biella.
Over the counter, Mûcsarnok, Budapest.
Reasonable Force, Room Gallery, Auckland - Aotearoa.
2nd Rennes Biennial: Ce qui vient, Rennes.
Vous êtes ici, Musée des Beaux-Arts, Dunkerque.
Geography of Trans-territories, Walter&McBean Galleries of San Francisco Art Institute, San Francisco.
Hypotheses Verification, Laboratoria, Moscow.
2009
ID: Ideology of Design, Museum of Contemporary Art of Vojvodina, Novi Sad.
Typopass - Critical design and conceptual typography, Dorottya Galéria, Budapest.
The spectacle of the everyday, 10th Lyon Biennial, Lyon.
What Keeps Mankind Alive?, 11th Istanbul Biennial, Istanbul.
28th Biennial of Graphic Arts, Gallery Jakopic, Ljubljana.
Splav Meduze, Likovni salon, Celje, Slovenia.
Rites de Passage, Schunck Glaspaleis, Heerlen, NL.
Bertha von Suttner Revisited, Schüttkasten, Harmannsdorf, AT.
How many angels can dance on the head of a pin?, 2nd Athens Biennial, Athens.
Wouldn't be easier for the government to dissolve the people and elect another, Gallery Nova, Zagreb.
The man behind the curtain, Mission 17, San Francisco.
Katowice Biennial, Upper Silesian Centre of Culture, Katowice.
The Inescapable Experience of Transition, Le Magasin, Grenoble.
Living Together, Marco, Vigo.
Princess Frog, Galerie Catherine Jozsa, Brussels.
Les frontières invisibles, Tri Postal, Lille.
Living Together, Montehermoso, Vitoria-Gasteiz.
2008
Try again, fail again, fail better, Kunsthalle, Budapest.
Pancevo Republic!, 13th Biennale of Pancevo, Serbia.
The Aesthetic Center, 6th Gyumri International Biennial of Contemporary Art, Gyumri, Armenia.
Positive Critical Imagination, Edinburgh Sculpture Workshop, Edinburgh.
The Mechanics of the Canvas, Ernst Museum, Budapest.
Pro Eto, National Centre for Contemporary Arts, Moscow.
Be A Happy Worker: Work-to-Rule!, g-mk, Zagreb.
Na mi van?, Kunsthalle, Budapest.
L'Argent, Le Plateau, Paris.
World-ex-position, Open Space, Vienna.
MOBY Hosting, Museums of Bat-Yam, Israel.
Utopia Transfer, Kiscelli Muzeum, Budapest.
Economie 0, La Ménagerie de Verre, Paris.
Transmediale 08: Conspire, Haus der Kulturen der Welt, Berlin.
2007
Living Magazine, Kunstverein in Hamburg, Hamburg.
The Other City, Hungarian Cultural Center, New York.
AtL(e)As(T.) CoMpleX, Studio Gallery, Budapest.
Un_Space / Paraflows, MAK, Vienna.
Virtual Residency, ZKI, Völklingen, Germany.
Manifesta 6.1: Off Season, Cyprus.
Manifesta 6.1: M6 D3 Abschlussball, WestGermany, Berlin.
Démocratie? Faites-la vous-même!, Mains d'Oeuvres, Paris.
The Embassy / Apocalypse Now, , Paris.
Between white and black / Bunker Design, MKTTK, 2nd Moscow Biennale.
2006
The Other City, TRAFO Gallery, Budapest.
Article Biennale, Sølvberget Kulturhus, Stavanger, Norway.
Intrusion / Apocalypse Now, , Paris.
Transitory Operations, UMA, Ulaan Baatar, Mongolia.
How to do things? In the middle of (no)where..., Kunstraum Kreuzberg/Bethanien, Berlin; Nikolaj, Copenhagen; CIAC, Bucharest; CCA, Kiev; Trafo Gallery, Budapest.
NFO XPO, Version 06 : Parallel Cities, Iron Studios, Chicago.
Kutatás (2008-09)
Jan van Eyck Academie, Maastricht.
Előadások (2007-10, válogatás)
Inscripcions, Couvent des Jacobins, Rennes.
Liste, symposium Art&Research in Public Sphere, ksa:k Centre for Contemporary Art, Chisinau.
Burning & rupturing & looting & rapturing, symposium Laboratory of Singular Prospectives, NCD, Bucharest.
Géopolitique vs/as cosmopolitique?, Sciences Po & NYU, Paris.
Communisms Afterlives, Betonsalon, Paris.
Tarif d'entrée, symposium "Real Poetic", ERG/Palais des Beaux-Arts, Bruxelles.
Méandres des torrents cosmopolites, Mains d’Oeuvres, St-Ouen.
Glyphs & Strata, Tranzit Free School, Budapest.
AtL(e)As(T.) CoMpleX - conversation with Tamás St.Auby, Gallery Nova, Zagreb.
Bernard + Madoff durch die Dokumenta XIII, ETATW: We don't., NABA, Milan.
The Great Karaoke Swindle, Imal, Brussels.
Glyphs & Strata, Maska Institute, Ljubljana.
Xenos / Xenia, Montehermoso, Vitoria-Gasteiz.
Introductory dialogue between a philanthropist, living in the countryside near Paris, and Jacques, his gardener, Jan van Eyck Academie, Maastricht.
Glyphs and Strata, San Francisco Art Institute, San Francisco.
Eternal Tour / Boomerang Effect, Istituto Svizzero, Rome.
Filigrammes: commentaires de L'Argent, Le Plateau, Paris.
Towards a Greater Euregio, within the frame of Euregional Forum, a project by BAVO, Jan van Eyck Academie, Maastricht.
e-POTHÈQUE, Art & Flux, Sorbonne University, Paris.
Conversations européennes : sur les pratiques participatives, Jeu de Paume, Paris.
MA: Soliton, The Upgrade! Paris / La Cantine, Paris.
Spéculums pour spéculations, Maison Descartes, Amsterdam.
Du goût ultraglocal du Gandhi Bürger, Café Pompier, Bordeaux.
The artist, the scientist and the industrial, Bilderberg Salon, Transmediale 08, Berlin.
Polisteries, uqbar, Berlin.
Transitions, Opening Week, Jan van Eyck Academie, Maastricht.
Spéculums et spéculations, ENBA, Lyon.
Spéculums et spéculations, Ecole des Beaux-Arts, Bordeaux.
Spéculums et spéculations, Something you should know, EHESS, Paris.
MA: Soliton, Documenta XII Magazine, Kassel.
Resituation: subversion, La Box, Bourges, France.
Ponzi's, La Générale, Paris.
Szemináriumok, workshopok (2007-09)
19?9, Tranzit Free School for Art Theory & Practice, Budapest.
Random Curating, Université Paris-1 Panthéon Sorbonne, Paris.
Lineology, Parsons School of Art and Design, Paris.
Least Common Multiples, conference, IAA, 3rd Young Artists’ Biennial of Bucharest.
Utopolitika, Van Abbemuseum, Eindhoven.
Stratégies économiques de l'art, Ecole des Beaux-Arts de Bordeaux.
Disposition, Ecole Nationale Supérieure d'Art de Paris-Cergy.
Discussions about Politics and Design, Ze Dos Bois, Lisbon.
Publikációk (2006-09)
EU Green Card Lottery: Spécimens aléatoires, in Art 21 n°24, 2009.
Introductory Dialogue between an Educated Philanthropist Living in the Countryside near Paris and Jacques, His Gardener, SFAI MFA catalogue, San Francisco, 2009.
Pligatures, Multitudes n°35, Paris, 2009.
EU Green Card Lottery, in Printed Project n° 10, Dublin, 2008.
Gandhi Bürger, in Journal of Visual Culture: D12 Dissection, volume 7 n° 1, London, 2008.
MA: Culture States, in Rajzlap, n° 8, Budapest, 2008.
Exclave (with Metahaven), in The HTV, n° 72: A Democratic Brand Paradox, Amsterdam, 2008.
Manifesta 6.1: Abschlussball, in Idea, n° 27, Cluj, 2007.
Ministère de l'Architecture: Soliton, in Multitudes Icônes, Paris, 2007.
Ministère de l'Architecture: Deuxième contact, in Biennale de Paris XV, catalogue, éditions Biennale de Paris, Paris, 2007.
IGM: Versade, in Exindex, Budapest, 2006.
The Great Karaoke Swindle, in How to do things? In the middle of (no)where…, catalogue of the project, Revolver Publishing, Frankfurt/Main, 2006.
Conspire / Dear Jean-Baptiste, in In Action!, Sparwasser / TRAFO, Budapest, 2006.
Bibliográfia (2007-10, válogatás)
LEBOVICI Elisabeth, Boue et censures au pays du "youngest curator ever", Le Beau Vice, 1 June, 2010.
FOWKES Maja & Reuben, In the Studio: Société Réaliste, in Time Out Budapest, august 2010.
UNWIN Richard, Bucharest Biennale 4 Review, in Frieze Magazine n°132, London, 2010.
RIEDER Gabor, The science of social irrealism, in Artportal.hu, Budapest, july 2010.
TUCKER Daniel, BB4: Getting Real, in Kunsthart, Antwerpen, 2010.
HAUFFEN Michael, Transitioners - London View, in Springerin 1/10, Vienna, 2010.
LUCCHETTI Matteo, Random curating - interview with Société Réaliste, in undo.net, Milan, 2009.
SIM ESMEN Yasemin, Drawing lines to do away with them, in Hürriyet, Istanbul, 2009.
VAN TOMME Niels, Siding with the Barbarians, in Foreign Policy in Focus, Washington D.C., 2009.
LEBOVICI Elisabeth, Un projet de société, in Multitudes n°35, Paris, 2009.
IHLER MEYER Sarah, Pligatures, in parisART, Paris, 2009.
STEPANOVIC Tijana, Culturated States, in Mûértô, 11 / 5, Budapest, 2008.
CSERBA Júlia, Triangular paranoia, in Balkon, 2008 / 3, Budapest, 2008.
VINCENT Cédric, Conspiratory Truths, in Conspire: Transmediale 08, catalogue, Revolver Publishing, Frankfurt/Main, 2008.
TREMEAU Tristan, Nouveaux Entrants, in Art21, n° 15, 2007.
BRUNEL Raphaël, Transitioners: Bastille Days Collection, in parisART, Paris, 2007.
SOMOGYI Hajnalka, Chirurgie de l'illusion, in Art21, n° 12, 2007.
WEITZEL Antje, Some points about the Ponzi's project, in How to do things? In the middle of (no)where…, catalogue of the project, Revolver Publishing, Frankfurt/Main, 2006.
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